Now this is a lens so good, it made B&H’s list of best-selling mirrorless lenses almost immediately after it was launched to the market. Next up is one of Sony’s newest addition to their professional-grade GM line, the Sony FE 35mm f/1.4 GM. Video can’t be loaded because JavaScript is disabled: Sony 50mm f/1.2 G Master: THIS is the one! () Best 35mm Prime – Sony FE 35mm f/1.4 GM Check out Forbes’ lovely video on this lens, which includes a helpful comparison with the 50mm ZEISS. Ted Forbes loved the 50mm f/1.2 GM so much that he thinks the newest f/1.2 glass on the block warrants an upgrade over the already excellent Planar T* FE 50mm F1.4 ZEISS. The Sony FE 50mm f/1.2 GM melts everything in the background to an ethereal blur that should be quite difficult to replicate with any other lens. It somehow gets even sharper when you stop it down to f/2. Lab test results using the imatest software with the 50mm f/1.2 GM (paired with an a7rIV) shows an eerily sharp score of 4,830 lines at f/1.2. In terms of image quality, let’s just say the newest FE 50mm f/1.2 sets a new standard for ultra fast 50s. Just check out Gerald Undone’s real time autofocus test to help you get a sense of how it performs in the AF department. Not even “fast and accurate” for an f/1.2 lens, it really does just latch on your focus point when you give the command. So let’s get this straight the Sony FE 50mm f/1.2 GM focuses fast and accurate. If you’re into the game for a quite little while now, you know that f/1.2 lenses of old were notorious for their sluggish AF performance. The Sony FE 50mm f/1.2 GM is easily the best standard prime for the FE system you can buy right now, and the one to have in your bag if you demand nothing short of the superlatives. It’s quite well known as one of the best value options ( see current price) which is why I ended purchasing this instead of the Sony GM 24-70mm f2.8. Now if you don’t think you’re going to be using much of the 75-150mm range, then I would recommend the Tamron 28-75mm Di III VXD f/2.8. Read my full review of the Tamron Di III VXD 35-150mm f/2-2.8. Keep in mind that this lens was a new release late last year, I pre-ordered and received it on the first day – months later, it’s since been on backorder. I use to carry two bodies, one with a 85mm f1.4 prime, and the other the Tamron 28-75mm f2.8.įor me, this lens was able to replace both of those, and I’ve lightened the load and can now carry just one body and I’ll sometimes bring a flash (depends on situation). Related: What to wear for family beach pictures But as a professional photographer here in Maui, Hawaii, I shoot a lot of family photos and such on the beach. ![]() ![]() Here’s my personal choice for the #1 pick, a lens that replaced a few in my bag… My most versatile lens – Tamron Di III VXD 35-150mm f/2-2.8Įmphasis on my, because when it comes to photography, everything is personal preference. a6500), you’ll want to checkout our guide on The Best Sony APS-C Lenses. Now keep in mind that these are full frame lenses, if you have a APS-C Sony Camera (eg. So if you’re new to the alpha system and are looking to grow your lens collection, we’ve rounded up five of the best FE lenses that seasoned professionals think you should consider. With mirrorless opening up a whole lot of new possibilities for a new breed of optical design, Sony has been consistent with introducing gem after gem of top-quality optics that’ll fit the highest requirements of the most demanding professionals. This meant that Sony’s full frame a-series line-up is now reaping the benefits of a fully mature lens ecosystem, whereas Canon and Nikon are still scrambling to catch up. ![]() Being one of the first camera giants to embrace mirrorless tech, Sony has enjoyed a few generations worth of head start against the competition.
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